In Ghosts of Revolution (2011), Shahla Talebi’s haunting account of her years as a political prisoner in Iran, she engages two interrelated premises put forth by Walter Benjamin: that telling stories of lived experiences opens the possibility of a true human connection, the transmission of wisdom, and individual and social transformation; and, to paraphrase Benjamin, that death sanctions everything the storyteller can tell for the storyteller borrows her authority from death. In this sense, Talebi’s writing is a way of  “narrating change”: those stories of struggles that seek transformation—of one’s one’s life and of one’s community—through narration.